| Time | Session | Title | Authors |
|---|---|---|---|
| 09:00 | Opening & Plenary | Welcome & Introduction | |
| 09:20 | 25 Years Applied Pipe Organ Research at Fraunhofer IBP in Stuttgart | Judit Angster, Péter Rucz, András Miklós | |
| 10:00 | Acoustics of Wind Instruments and Organs: Flutes | How do flute players adapt their control parameters to modifications of the flute bore? | Benoit Fabre, Patricio De La Cuadra |
| 10:20 | Experimental study on the temporal fluctuation of harmonics in flute sounds | Keita Arimoto | |
| 10:40 | Experimental Investigation for Effects of Jet Angle on the Harmonic Structure in the Flute | Onogi Kimie, Ai Natsubori, Hiroshi Yokoyama, Akiyoshi Iida, Keita Arimoto | |
| 11:00 | Break/P1-P2, D1 | ||
| 12:00 | Directivity of Musical Instruments: String ensembles Chairs: J. Woodhouse, R. Mores |
ODESSA - Orchestral Distribution Effects in Sound, Space and Acoustics: an interdisciplinary symphonic recording for the study of orchestral sound blending | Martha De Francisco, Malte Kob, Jean-François Rivest, Caroline Traube |
| 12:20 | Investigation of the Blending of Sound in a String Ensemble | Stefanos Ioannou, Malte Kob | |
| 12:40 | Sounds Like Melted Chocolate: How Musicians Conceptualize Violin Sound Richness | Charalampos Saitis, Claudia Fritz, Gary Scavone | |
| 13:00 | Directivity of Musical Instruments: Sound fields Chairs: G. Scavone, T. Grothe |
External sound field simulations and measurements of woodwind resonators | Erik Alan Petersen, Romane Rosser |
| 13:20 | Impact of free field inhomogenity on directivity measurements due to the measurement set-up | Malte Kob, Alexis Baskind | |
| 13:40 | Piano strings with reduced inharmonicity | Jean-Pierre Dalmont, Sylvain Maugeais | |
| 14:00 | Break/P3-P4, D2 | ||
| 15:00 | Design & Playing: Fingering & articulation Chairs: Chairs: J.-P. Dalmond, G. Scavone |
Physical principle of pitch bent by cross-fingering | Seiji Adachi |
| 15:20 | A parametric study of finger motions when playing the clavichord : towards characterization of expressive control. | Jean-Théo Jiolat, Jean-Loïc Le Carrou, Christophe D'Alessandro | |
| 15:40 | Factors affecting transients in rapid articulation on a bass crumhorn. | Alan Woolley, Murray Campbell, Simon Carlyle | |
| 16:00 | Design & Playing: Room acoustics Chairs: T. Halmrast, M. Kob |
Music Practice Rooms: Ambitions, Limitations and Practical Acoustic Design | Claudiu Pop, Riduan Osman, Julia Knight |
| 16:20 | Acoustical evaluation of differences in Sanshin’s tone depending on shapes of SAO | Kojiro Nishimiya, Mao Tokuda, Yuki Yokota, Hideo Cho | |
| 16:40 | |||
| 17:00 | Break/P5-P8 | ||
| 18:00 | Acoustics of Wind Instruments and Organs: Pipe organs Chairs: P. Rucz, V. Hruska |
The Khaen as a Miniature Pipe Organ | James Cottingham |
| 18:20 | The air jet development in organ pipe tone attack caused by voicing adjustments | Zdenek Otcenasek, Pavel Dlask, Jan Otcenasek | |
| 18:40 | Distortion of acoustic shockwaves by U-shaped tube portions | Sebastien Ollivier, Thomas Lechat, Didier Dragna, Arnaud Gluck | |
| 19:00 | Acoustics of Wind Instruments and Organs: Clarinet and single reeds Chairs: J. Gilbert, P.-A. Taillard |
Numerical study on the function of the register hole of the Clarinet | Kin'Ya Takahashi, Kana Goya, Saya Goya, Genki Tsutsumi, Taizo Kobayashi |
| 19:20 | Numerical study on unsteady fluid flow and acoustic field in the clarinet mouthpiece with the compressible LES. | Toshiaki Koiwaya, Sho Iwagami, Taizo Kobayashi, Kin'Ya Takahashi | |
| 19:40 | Computational Aeroacoustic Modeling of Single-Reed Mouthpiece Using Palabos (Live Stream) | Song Wang, Gary Scavone | |
| 20:00 | Free evening |