Posters |
| Non-destructive measurement of the pressure waveform and the reflection coefficient in a flue organ pipe |
Viktor Hruska, Pavel Dlask, Milan Gustar | P1 |
| High resolution 3D radiation measurements on the bassoon |
Timo Grothe, Malte Kob | P2 |
| On the use of reed-to-room transfer function in bassoon auralizations - a listening test |
Timo Grothe, Stefanos Ioannou, Sebastià V. Amengual Garí | P3 |
| Timbre and Duration of Attack Depend on the Amount of Reverberation |
Tor Halmrast | P4 |
| Analysis of reed vibrations and mouthpiece pressure in contemporary bass clarinet playing techniques |
Peter Mallinger, Montserrat Pàmies-Vilà, Vasileios Chatziioannou, Alex Hofmann | P5 |
| Evaluating the role of the cutoff frequency on sound production of clarinet-like resonators using digital synthesis |
Erik Alan Petersen, Philippe Guillemain, Jean Kergomard | P6 |
| Time-domain response measurement of the trumpet, and the room |
Timo Grothe | P7 |
| Study of the effect of acoustic sound bridges on wind instruments. Perceptual study with a panel of trumpet players |
Jean-François Petiot | P8 |
| Relation between subjective evaluation for proficiency, expression or technique and acoustic feature on violin performance |
Madoka Okemoto, Masanobu Miura | P9 |
| Acoustical analysis of stringed instruments without touch |
Heidi Von Rüden, Anton Schlesinger | P10 |
| Non-contact measurement of bow force and friction force in bowed string instruments using a camera |
Ryodai Izaki, Naoto Wakatsuki, Koichi Mizutani, Keiichi Zempo | P11 |
| How the Directivity of Bundengan Affects Its Musical Performance |
Indraswari Kusumaningtyas, Raymond Christianto, Gea O. F. Parikesit, Rosie H. Cook, Muhammad S. Abdulloh, Luqmanul Chakim, Mulyani Moelya, Nicole A. Tse, Margaret J. Kartomi, G. R. Lono Lastoro Simatupang | P12 |
| Non-Linearities of the mechano-electrical tonegenerator of the Hammond Organ |
Malte Münster, Florian Pfeifle | P13 |
| Proposal of a human-instrument interaction model and its basic examination using electromyogram |
Ryo Itoigawa | P14 |
| The ObieAlto project: looking for correlations between perceptual properties and constructional data |
Claudia Fritz, Valérian Fraisse, Danièle Dubois | P15 |
| Tuning of membranophone based on visualization of membrane vibration mode |
Eri Zempo, Naoto Wakatsuki, Koichi Mizutani, Yuka Maeda | P16 |
| Damping of waves at the walls of a conical tube |
Cornelis Johannes Nederveen, Timo Grothe, Johannes Baumgart | P17 |
| Temporal Acuity - Flamenco Guitar versus Classical Spanish Guitar |
Robert Mores | P18 |
| Measurement-Based Comparison of Marimba Bar Modal Behaviour |
Douglas Beaton, Gary Scavone | P19 |
| Substitution of spruce tonewood with composite materials tailored using numerical models: an application to archtop guitars |
Romain Viala, Claudia Fritz, Vincent Placet, Emmanuel Foltete, Scott Cogan | P20 |
| Feasibility Study of Computational Environment for Assisting Musical Instrument Manufacturing |
Guilherme Orelli Paiva, Rodolfo Thomazelli, Guilherme Nishino Fontebasso, Lucas Neves Egidio | P21 |
Demonstrations |
| A Liquid Sloshing Vibrato Mechanism for the Symbaline; an Active Wine Glass Instrument |
Lior Arbel, Yoav Y. Schechner, Noam Amir | D1 |
| Kora-Som: an interface that converts a player's beating heart into a real-time metronome |
Leonardo Fuks, Gabriel Moura, Frederico Jandre | D2 |
| A real-time feedback system for vocal tract tuning |
Marie Jeanneteau, Noel Hanna, John Smith, Joe Wolfe | D3 |
| Experimental setup for real-time control of a single-reed woodwind instrument model |
Alex Hofmann, Sebastian Schmutzhard, Vasileios Chatziioannou | D4 |