| Time | Session | Title | Authors |
|---|---|---|---|
| 09:00 | Reeds: Clarinet Chairs: K. Takahashi, P.-A. Taillard |
Design of a mechanical player system for fatigue-life evaluation of woodwind reeds | Connor Kemp, Song Wang, Gary Scavone |
| 09:20 | The player-reed interaction during note transitions in the clarinet | Montserrat Pàmies-Vilà, Alex Hofmann, Vasileios Chatziioannou | |
| 09:40 | Clarinet tonguing: the mechanism for transient production (Live Stream) | André Almeida, Weicong Li, Lauren Inwood, John Smith, Joe Wolfe | |
| 10:00 | Mixed Chairs: R. Bader, J. Gilbert |
Acoustics of Bifacial Indian Musical Drums with Composite Membranes | Anurag Gupta, Vishal Sharma, Shakti Singh Gupta |
| 10:20 | Acoustic measurement of Marimba, Xylophone and Xylorimba | Masanobu Miura, Nozomiko Yasui | |
| 10:40 | Relating tone height and perceived pleasantness in the didgeridoo and bass trombone | Noam Amir, Yasmin Bachar-Yakobi | |
| 11:00 | Break/P18-P21, D4 | ||
| 12:00 | Modelling: Modelling techniques Chairs: J. Chabassier, V. Chatziioannou |
The Impulse Pattern Formulation (IPF) as a nonlinear model of musical instruments | Simon Linke, Rolf Bader, Robert Mores |
| 12:20 | MAESSTRO: a sound synthesis framework for Computer- Aided Design of piano soundboards | Benjamin Elie, Xavier Boutillon, Juliette Chabassier, Kerem Ege, Bernard Laulagnet, Benjamin Trévisan, Benjamin Cotté, Nicolas Chauvat | |
| 12:40 | Navier-Stokes-Based Physical Modeling of the Clarinet | Nicholas J. Giordano, Jared W. Thacker | |
| 13:00 | Modelling: Modelling strings Chairs: J. Chabassier, V. Chatziioannou |
Measurement and Modeling of a Resonator Guitar | Mark Rau, Julius Smith |
| 13:20 | Thai Fiddle Saw-u Modeled as a Helmholtz Resonator with Circular Membrane | Kajornpop Toboonchuay, Munhum Park, Bhanupol Klongratog | |
| 13:40 | Finite Element Modelling of Japanese Koto Strings | Kimi Coaldrake | |
| 14:00 | Break | ||
| 15:00 | Virtual Prototyping of Musical Instruments: Virtual instruments and data bases Chairs: V. Fréour, M. Jousserand |
Numerical simulation of the acoustic guitar for virtual prototyping | Henna Tahvanainen, Hideto Matsuda, Ryo Shinoda |
| 15:20 | Creating Virtual Acoustic Replicas of Real Violins | Esteban Maestre, Gary Scavone | |
| 15:40 | Generation and Analysis of a Database of Geometrical and Acoustic Properties for the Modern Almenräder-Heckel System Bassoons | Vincent Houde-Turcotte, Marthe Curtit, Caroline Traube, Jean-Pierre Dalmont | |
| 16:00 | Virtual Prototyping of Musical Instruments: Instrument design Chairs: V. Fréour, M. Jousserand |
Optimization of Marimba Bar Geometry by 3D Finite Element Analysis | Douglas Beaton, Gary Scavone |
| 16:20 | How to include several acoustic characteristics in the design of woodwind instruments? | Augustin Ernoult, Samy Missoum, Philippe Guillemain, Christophe Vergez, Michael Jousserand | |
| 16:40 | Model-based quantification of the effect of wood modifications on the dynamics of the violin | Romain Viala, Sarah Lämmlein, Vincent Placet, Scott Cogan | |
| 17:00 | Break | ||
| 18:00 | Instrument Building Chairs: J. Smith, L. Fuks |
Influence of tonewood parameters on the perceived sound quality of a steel-string acoustic guitar | Sebastian Merchel, David Olson, M. Ercan Altinsoy |
| 18:20 | The Bilbao project : How makers match backs and tops to produce particular sorts of violins | Claudia Fritz, George Stoppani, Unai Igartua, Roberto Jardón Rico, Ander Arroitajauregi, Luis Artola | |
| 18:40 | Metamaterials in Musical Instruments | Rolf Bader, Jost Fischer, Malte Münster, Patrick Kontopidis | |
| 19:00 | Timbre and Perception Chairs: J.F. Petiot, R. Mores |
Perception-based classification of Expressive Musical Terms: Toward a parametrization of musical expressiveness | Aviel Sulem, Ehud Bodner, Noam Amir |
| 19:20 | Perception of violin soundpost height differences (Live Stream) | Lei Fu, Claudia Fritz, Gary Scavone | |
| 19:40 | Break | ||
| 20:00 | Joint music in HfM Detmold Concert house |
The joint music session in the Concert house will start with a performance by Piotr Oczkowski, after which the stage will be open for everyone. Please think of music that you would like to play and team up with colleagues if you wish! If you prefer to sing in a choir please give a short feedback/scores and we will arrange something. A Steinway and Sons grand piano and an organ will be provided.